Tuesday, December 13, 2011

Chinese Buyers Compete For Top Works at Hong Kong Sales


by Raj S. Rangarajan


NEW YORK—Christie’s Hong Kong autumn sales (Nov. 25–30) realized a combined total of HK$2.85 billion ($366 million) across 12 sales of paintings, wine, jewelry, watches and works of art. Fine art and related works totaled HK$1.5 billion ($189.8 million). Last year’s comparable total for fine art (ANL, 12/28/10) was HK$512.4 million ($65.9 million).

François Curiel, president of Christie’s Asia said, “our 50th sale season in Hong Kong saw great participation from Asia (87 percent), with 73 percent of the buyers coming from Greater China.”
The evening sales on Nov. 26, which included Asian 20th-century and contemporary art, and a private collection sale, “Faces of New China: An Important Private Collection,” totaled HK$397 million ($51 million).

Five of Zao Wou-Ki’s paintings led the evening and exceeded their presale estimates. Both Cerf volant et oiseaux, 1955, and 22.7.64 sold for HK$35.4 million ($4.6 million) compared with an estimate of HK$10 million/15 million and HK$15 million/20 million, respectively.

A more recent work by Japanese artist Aya Takano also saw intense demand from bidders; You Want to Get Out of Here, Don’t You?, 2007, sold for a record HK$3.4 million ($435,683). At the private collection sale, The Massacre at Chios, 1994, by Yue Minjun, sold for HK$32.6 million ($4.2 million).

Eric Chang, Christie’s international director of contemporary art in Hong Kong, said: “Overall we are pleased to see an uptake in cross-cultural buying by international collectors.”

The day sales of Asian contemporary and 20th-century art totaled HK$307.5 million ($39.4 million) with 76 percent selling by lot and 90 percent by value.

Sales of fine Chinese modern paintings totaled HK$595 million ($76.3 million) and fine Chinese classical paintings and calligraphy totaled HK$183 million ($23.5 million). Lotus, a set of modern scrolls by Cui Ruzhuo, dated “early summer, xinmao year (2011),” realized HK$123.9 million ($15.9 million), far exceeding its estimate and setting a new auction record for the artist.

Thursday, December 1, 2011

Spectacular Hi-tech 3-D Film Immortals Promotes Greek Story





BY RAJ S. RANGARAJAN

It seems like a cross between Star Wars and Harry Potter. It has the seriousness of a war and the crafty playfulness of a Harry Potter. The gigantic settings and wide-angled sequences are out of this world, accentuated by 3-D and VFX technology. Director Tarsen Singh (The Cell) has succeeded in creating a grand illusion with masterful effects in cinematography and sound. Film frills and thrills take over where an antiquated story attempts to appeal.

Leading lady Phaedra (Freida Pinto)

The movie I am talking about is Immortals that was released on 11.11.11 and directed by Tarsem Singh, and written by brothers -- Charles Parlapanides and Vlas Parlapanides (Everything for a Reason). Female lead, Freida Pinto is not looking back after Slumdog Millionaire catapulted her into the international scene few years ago and the recent success of the hit movie The Rise of the Planet of the Apes. Producer Gianni Nunnari who produced action epic 300 also says of Pinto: “There are certain actors or actresses that grow within the time of the shooting and that was Freida.”


Leading man Theseus (Henry Cavill)


Pinto’s striking beauty and other-worldly air won Tarsem Singh’s immediate approval. “Phaedra needed to be exotic compared to most of the people in her world,” says Singh. “People might expect that because it’s a Greek film, she would be Greek, but that’s not what I envisioned. When I met Freida I just said, she’s it.” For her part, Pinto says, “she feels lucky to have had Singh to guide her. “Tarsem is one of the most encouraging directors you will ever meet,” she says.

Athena (Isabel Lucas)

Tarsen Dhandwar Singh has come a long way from the world of ad films (hit Pepsi commercial) and music videos. Born in Jalandhar, India, Singh schooled in Shimla, moved to America when he was 24 and graduated from the Art Center College of Design in Pasadena, California.


King Hyperion (Mickey Rourke)

In the November opening weekend on 11th, Tarsem became the first director of Indian origin in over six years to attain the No. 1 spot at the U.S. box office with Immortals scoring an estimated US$32 million in North America and $38 million internationally in 35 countries. Produced and released by Relativity Media, Singh's action film beat out new films from Hollywood's ‘A’ list including Adam Sandler's comedy Jack and Jill and Leonardo DiCaprio's J. Edgar about J. Edgar Hoover, former director of FBI, directed by Clint Eastwood. The last film by an Indian director to open at No. 1 in the U.S. was 2005's Dukes of Hazzard from filmmaker Jay Chandrashekar. M. Night Shyamalan in 2004 with The Village.

Special effects and photography keep one engrossed in Immortals while one tries to concentrate through the specially-provided 3-D shades. Huge battle scenes, mountains collapsing, and the gods and the Titans battling are a treat to watch. The film makers used a system called Inter Sense here just as in Avatar, where unparallel visual style and cutting edge systems were used for framing and composition.

The Immortals narrative highlights a ruthless King Hyperion (Mickey Rourke, The Wrestler), who leads his bloodthirsty army on a murderous rampage across Greece to find a deadly weapon, the lost Bow of Epirus, that will destroy humanity. With this invincible bow, Hyperion hopes to overthrow the gods of Olympus and become the undisputed master of the world.

A mortal -- a stonemason by trade -- named Theseus (played by British actor Henry Cavill -- Superman: Man of Steel) must lead the fight against Hyperion’s hordes with the fate of mankind and the Gods at stake. He has been chosen by Zeus, supreme deity of the ancient Greeks, for this important task. As village after village is obliterated, Theseus vows to avenge his mother, who was killed in one of Hyperion’s brutal raids. Luke Evans (The Raven) plays Zeus.

When Theseus meets the trained priestess and gifted Oracle, Phaedra (played by Freida Pinto, Slumdog Millionaire), Phaedra’s clairvoyant visions of the young man’s future convince her that he is the key to stopping the destruction. Phaedra sees Theseus holding the emperor’s belt which means he could be the savior. With her help, Theseus assembles a small band of followers and embraces his destiny in a final, do-or-die desperate battle.

Athena, played by Australian actress Isabel Lucas (Transformers: Revenge of the Fallen), is the Goddess of Wisdom and Zeus’ favorite daughter. She is her father’s trusted ally and advisor, but when warfare on earth threatens to destroy mankind, she defies Zeus and supports Theseus and his rebels among the divine inhabitants of Mount Olympus.

Poseidon, the God of the Sea, is played by Kellan Lutz (Twilight Series) and is ordered by his brother Zeus to allow mankind to settle its own scores. But like Athena, Poseidon has a mind of his own, and he finds an ingenious way to aid Theseus and his supporters. Stavros, played by Stephen Dorff (Somewhere), is a thief and has been enslaved by Hyperion along with Theseus and Phaedra. But the defiant one he sides with Theseus and fights against heavy odds. John Hurt (Harry Potter and the Deathly Hallows Parts 1 & 2), as the older Zeus however delivers the best lines with authority.

One is reminded of the Clash of the Titans, released in 2010, except that the canvas here is gargantuan and seems larger thanks to the 3-D effect. In keeping with the times, period costumes are authentic, and Eiki Ishioka has done a terrific job. Some of the helmets such as Hyperion’s tends to be unusual, putting it mildly. But then we are thinking “period.”

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[Raj S. Rangarajan is a New York based freelance writer. He covers trend stories on art, reviews books and films for media based in New York; Toronto, Canada; Seoul, Republic of Korea; and India. He can be reached at raj.rangarajan@gmail.com]